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      • Mosaic in Marble
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      • Press for Hudson Valley Fire Pits
      • Where to see Hudson Valley Fire Pits
  • The Museum
    • Mission
    • Vision
    • Values
    • Code of Ethics
    • Artist Compensation and Attribution Standards
    • Anatomy Set in Stone
    • Galleries + Collections
    • The School of Mosaic Environments
    • Founder Field Notes
  • The Founder
    • About Rachael Que Vargas
    • Artist Statement
    • Curriculum Vitae
  • Portfolio
    • Public Art
    • Commissioned Artworks
    • Mosaic
      • Mosaic in Marble
      • Mosaic in Glass
      • Mosaic in Bottle Caps
      • Mosaic in Ceramic
    • Jewelry
    • Sculpture
      • Abstract Sculpture
      • Figurative Sculptures
      • Kinetic Sculpture
      • Narrative Sculpture
      • Masks
    • Functional Art
      • Fences, Gates and Trellises
      • Art Furniture
      • Masquerade Bell Lanterns
      • Luminaries
    • Early Work
      • Installation Art
      • Mixed Media 1995–2001
  • Press
    • Book
    • Magazine
    • Newspaper
    • Exhibit Catalog
    • Television
    • Radio
    • Podcast
    • Websites and Blogs
    • CD, DVD + LP
  • Contact
  • Help/FAQ
    • Frequently Asked Questions
    • Privacy Policy
  • Shop
    • Shop Mosaics
    • Shop Jewelry
    • Shop the Archives (Vintage Works)
    • Shop Fire Pits
    • About Hudson Valley Fire Pits
      • Fire Pit Gallery— Residential Design
      • Fire Pit Gallery— Hospitality Design
      • Fire Pit Gallery— Liturgical Design
      • Fire Pit Gallery— Custom Designed Fire Features
      • Fire Pit Gallery— Fountains + Pools
      • Press for Hudson Valley Fire Pits
      • Where to see Hudson Valley Fire Pits
  • 231-584-2710

Installation Art

Most of the installations I did were during the years I lived and worked in the Pilsen neighborhood of Chicago, IL— as part of a vibrant arts community there were simply more opportunities and spaces where this kind of work could find a venue.
Installations tend to be temporary and unfortunately most of the work I’ve done in this category was not documented. Some was improvisational and/or collaborative, some, like Radio Ancestrale, was the result of months of work and research.

Radio Ancestrale, an installation commissioned by Tarble Arts Center, EIU, 2000

Introduction “Nowhere is Kongo Angola influence on the new world

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The Dragon Boat of the Chicago River

Daily Confection just posted a really fun phone interview I did with Gary Connolly. We discussed a broad set of topics including art, business, marketing, the ways that blogging and the web in general have impacted my work as an artist and 30 foot fire-breathing dragon boats…. After I gave it a listen, I realized that I haven’t ever posted photos of the dragon boat here on the blog, so I figured it was time… This was a fun project I did with my friend Neil Verplank to figure out what you could get away with on the Chicago River…. So five days later, we sailed the first of many dragon boats down the river just to see what would happen. The improvised flame thrower worked pretty well although you had to lean out over the river and hang onto the dragon’s neck in order to light it.

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Zozo Throne, 2000

Zozo Throne, 2000Wood, clay, Bone & Mixed47″ x 30″ x

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Spill My Guts, 2001

Spill My Guts, 2001
cardboard, wood, glass & Mixed
85″ x 27″ x 30″
Destroyed

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Offrenda for Those Who Died on the Road, 1997

Offrenda for Those Who Died on the Road, 1997Mixed Media

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Support the Museum of Mosaic Environments by acquiring original works by the founder

  • Mosaic

    Mosaic (7)

  • Mixed Media Artwork

    Mixed Media Artwork (21)

  • Jewelry

    Jewelry (57)

  • Fire Pits

    Fire Pits (8)

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