The Museum of Mosaic Environments builds the critical and economic infrastructure that mosaic deserves. We collect, commission, exhibit, and teach mosaic as our central purpose — researched at the depth the medium’s history demands, exhibited at the scale its greatest works require, and argued with the institutional seriousness it earns on its own merits. For five millennia, mosaic has been a primary art form of every major civilization, practiced on every continent across every cultural tradition. For the last two centuries, the credentialed Western art world has classified it as craft — a political decision disguised as an aesthetic one, consistent with its broader habit of deciding in advance which mediums, and which artists, are allowed to count. MME rectifies that classification by doing the work: by building a scholarly apparatus, by paying living artists, by making the medium’s five-thousand-year lineage legible and public. The MME is designed as a self-supporting institution because financial independence is what keeps every commitment enforceable.