Upstate House, Spring 2017

A visit to the scrap yard inspired sculptor Rachael Que Vargas to create her iconic firebowls. “I saw them cutting a propane tank,” she recalls, “they cut the end off and I saw this perfect bowl and immediately thought of cutting flames into it.” That was in 2005. Since then, the Hudson-based artist has created over 2,000 firebowls each one colored with a generous patina of rust and hand-cut with evocative designs. Vargas’ firebowls illuminate outdoor spaces in all 50 states and in 15 countries. “I thought I was only going to make one firebowl,” she says, “then people asked for another, and another.”

Vargas uses reclaimed propane tanks for most of his bowls. “The world is full of stuff,” she says, “If I’m going to add to that I need to dip into the waste stream to counter it a bit. It’s being brought back into utility.”

Before making her first firebowl, Vargas spent months studying flame imagery. As with her other work— which includes fences, gates, trellises, and outdoor furnishings and sculptures (figurative, abstract and kinetic)— Vargas cuts each firebowl freehand, using a flame torch.

No two designs are exactly alike, but each one recalls Vargas’ former career as a poet in the Midwest. She strove to write poetry that had depth but was easily accessible. Her imagery draws on a broad range of influences from 50s hot-rod culture to Renaissance anatomical drawings to Central American prehistoric petroglyphs. “I want a surface read, that’s as clear as I can possibly make it,” she says, “But I can add layers of meaning for people who want to dig.”

Martin, Peter. “Burning Desire.” Upstate House Spring 2017: 64. Print.